These exhibitions included Adiós Columbus: Vistas Latinas Part IV (Sept.–Nov.
Art in General also has the archival records of group shows that included Latino and Latin American artists such as Abel Barroso, Tania Bruguera, Los Carpinteros, Sandra Ceballos, Claudio Nolasco, Carlos Garaicoa, Silvia Gruner, Nadín Ospina, Manuel Piña, and Lázaro Savaadra. Records in those categories are classified chronologically by exhibition history.Įxhibition files include records from solo shows by artists Alberto Casado, María Elena González, César Paternosto, and Cecilia Vicuña. Audio in the Elevator, Window Installation/Project Space, Gallery 4, and Gallery 6). They are organized using a coding system developed by Art in General based on the location of the exhibition in their space (i.e. Within the gallery records artist sub-files can be found. Most of these records are gallery files documenting exhibitions that have taken place at Art in General. Those from 2003 to the present are located in the office space on the sixth floor. The operation records from 1982 to 2002 are located on the fourth floor. Overall holdings of archives and research material related to Latino art: Ten linear feetĮnglish (85%) Spanish (10%) other (5%) Holdings - Primary SourcesĪrchives of institution’s history and operation related to Latino art: Overall holdings of archives and research material: Fifty-four linear feet Art in General has published catalogues and brochures documenting the work of many Latin American and Latino artists. The gallery files start in 1982, although there are no Latino or Latin American artists until 1987. The archives of Art in General consist mainly of operational records such as exhibition files and photography documenting exhibitions and programs. Their website lists all archived programs since the formation of Art in General. The records at Art in General document the history of this alternative art space, which has promoted international contemporary art since its foundation. Beginning in 2005, its exhibition program has focused on the commissioning of new work from artists. Today, Art in General fulfills its mission through a variety of ways, including the organization and presentation of exhibitions, hosting a national and international artist residency program, and through educational in-school art training, regular public programs and membership events. In its twenty-five years, the organization has emerged as one of New York City’s leading nonprofit arts organizations. History of the InstitutionĪrt in General was founded in 1981 by artists Martin Weinstein and Teresa Liszka in the General Hardware building-hence the name “Art in General.” Weinstein and Liszka aimed to create a space where artists could exhibit unconventional work and exchange ideas with their peers. Tuesday through Saturday, 12:00–6:00 p.m. It changes in response to the needs of artists and informs and engages the public about their work.Īnthony Marcellini, Curatorial Assistant Latin American Bibliographer Institutions Art in GeneralĪrt in General is a nonprofit organization that assists artists with the production and presentation of new work. Please take a moment to explore our Web site and to familiarize yourself with this invaluable tool to research some of the most outstanding archives of Latino and Latin American Art in New York. We extend our gratitude to the numerous partners and individuals who contributed to the success of this project. An Archival Collections Guide has also been published, and is available at the institutions surveyed. This website provides researchers with an overview of each archival collection surveyed and highlights their particular assets in order to facilitate access to materials and promote research on Latino art.
In July 2003 the Metropolitan New York Library Council (METRO) sub-contracted The Museum of Modern Art Library to survey archives documenting Latino art in greater New York as part of METRO’s Documentary Heritage Project.Ĭonducted from September 2003 to June 2006 by The Museum of Modern Art Library, this project aimed to identify and inventory the archives of New York institutions that have supported and showcased Latino and Latin American artists, and to establish a network of repositories.
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